Justin Baldoni has quietly sold his Culver City property for two point one million dollars, months after relocating to Nashville with his wife Emily and their children amid his ongoing legal battle with Blake Lively. The off-market sale of the three-bedroom home in the Los Angeles area was completed in August 2026. Baldoni, best known for directing and starring in the 2024 film It Ends With Us, had purchased the property in 2017 for one point zero four million dollars, meaning the sale represents a gain of approximately one point zero six million dollars before accounting for renovation expenses, taxes, and other costs associated with the transaction.
The move to Tennessee followed months of intense public scrutiny surrounding the legal dispute between Baldoni and his former co-star Lively, a conflict that has generated headlines and court filings in equal measure. The Culver City residence, originally built in 1952, sits on a lot spanning five thousand seven hundred thirty-six square feet and includes three bedrooms and three bathrooms. The property features a swimming pool, wood-vaulted ceilings, and modern finishes following an extensive renovation that Baldoni documented for fans in a 2020 social media post. He revealed at the time that the renovation process had taken three years and involved considerable attention to the home’s design and atmosphere, describing it as a labor of love and joking that he had spent those years perfecting the home’s feng shui.
While the sale price suggests a significant return on investment, the home was not necessarily the family’s primary residence in recent years. Reports indicate that Baldoni had not lived in the Culver City property for some time and that it was being held as an investment. The decision to sell off-market in August allowed the transaction to proceed without the usual public exposure that accompanies listings in the Los Angeles real estate market, a discretion that likely appealed to a filmmaker in the midst of a highly publicized legal battle.
The sale is a quiet financial maneuver in a period otherwise defined by noise. Baldoni’s dispute with Lively has drawn widespread attention and raised questions about power dynamics in Hollywood, while his departure from California for Nashville signals a personal and professional recalibration. Real estate transactions of this kind rarely tell the full story, but they often mark a chapter closing. Whether the sale represents a strategic liquidation of assets amid legal uncertainty or simply the sensible offloading of a property no longer needed is a question only Baldoni and his advisors can answer. What remains clear is that the Culver City home, once the subject of such visible enthusiasm and care, has now passed to someone else, and its former owner has moved on to a different city and a different chapter of his life.
